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Life Enthusiast. 
Social Activist. 
Party Rocker Extraordinaire.

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hilights

2025 LUDACRIS VEGAS

2024 ICECUBE|FLO RIDA USA & CANADA
202 2 & 2019
BACKSTREET BOYS DNA TOUR EUROPE

2019 FATMAN SCOOP USA
2018
MARIAH CAREY CHRSITMAS TOUR EUROPE

2017 ARIANA GRANDE TOUR EUROPE
2016
RIHANNA VIP DJ USA & CANADA
2015
THE WEEKND VIP DJ USA & CANADA

2014 JAY Z & BEYONCE VIP DJ USA & CANADA

BIO

Forget everything you know about DJ'ing. KnowleDJ (pronounced Knowledge) Doesn't just wow crowds, he electrifies them.
It doesn't matter if it ' s 5 or 5000. He redefines the D J experience that's made him world renowned as the go to guy for stadium shaking tour energy.
And from top clubs i n Vegas, Barcelona, Lisbon, NYC, and Costa Rica t o international stages a t DxB in Dubai, thousands pack festivals and dance floors to experience KnowleDJ's genre - bending sets and next-level energy. Whether it's a sold-out arena or a late-night rooftop, one thing's guaranteed: he elevates
crowds like no other DJ on the planet.
His Mashes for the Masses mixtape series continues to be a fan-favorite ritual,
racking up nearly a million plays from Canada to Japan. Meanwhile, his original music —including his explosive collabs with Fatman Scoop (RIP) for the Vegas Golden Knights arequickly gaining him recogniti on as a highly talented lyricist, producer, and more.
As a proud flag bearer of the #realDJs movement, KnowleDJ combines turntable mastery with stage domination, giving fans and artists alike something rare: a DJ who knows how to actually perform.
So get hyped. Get loud.
This isn't a set —it's a full-on sonic uprising. Contact today to see if he's available to do your concert, festival, or club.

Ok, but here's the real story...

I never thought I’d get here. I was just a small-town kid with dreams that were way too big. Just DJ'ing in local clubs and trying to make something bigger than myself. But even back then, I knew that music was the answer. It was the force that could connect people, that could transform lives. I saw that in the tiny club I was spinnin' at. Vegas was just a pipe dream. But that’s where my journey began—with nuthin' but passion, grit, and a relentless hunger to share the social energy I could create when I mixed beats.

I wasn’t even trying to make a name as a DJ- I was planning on being a banker. I was just tryna make noise—tryna shake the room in a way that made people forget their bullshit for a few hours. It wasn’t about fame, money, or clout. It was about that rush. The energy. The connection. One mix at a time, one crowd at a time. And here's the thing, I didn't even start as a DJ, let alone want to be one. at 19 I was running a nightclub, watching DJs control the night like puppeteers. I soaked up everything—how to read a crowd, how to flip an empty room into a packed frenzy. That led me to promoting concerts and throwing underground raves, learning how to build something from nothing. But DJing? That wasn’t the plan. Then one night, the owner of my tiny club in my small Canadian city pulled me aside. "You should start DJing" he said. I laughed. I only cared about hip-hop, and this crowd? They wanted everything but that. But he kept pushing. So I caved. At first, I hated it. I felt like a sellout spinning pop records instead of the raw hip-hop I loved. I’d sneak them into my sets, hoping no one cool was watching. But then something shifted. The more I played, the more I started to respect the craft. Britney Spears, Backstreet Boys—artists I had written off—I started hearing them differently. I never thought I’d rock with them. Never thought I’d be touring with them one day. But the game had other plans. Just when I thought I had it figured out, life flipped the script. I graduated college. The club owner who put me on sat me down and fired me. Not because I was bad—because I was too good. "If I don’t fire you, you’ll be here forever. Move to Vancouver. If you keep going, you’ll be in Vegas one day." I thought he was crazy. But t.urns out he was right all along So finishing school meant moving to the big city Vancouver. And that became my battlefield. I honed my skills, learned how to destroy a dance floor in any genre, and figured out what separated me from every other DJ—the mic. While they were hiding behind the decks, I was controlling the room, making every night feel like a movie. And because I had played everything from hip-hop to pop to house, I could move between crowds like nobody else. Then came the craziest twist of my career—cruise ships. My hype man had his heart set on DJing at sea and wanted me to roll with him. And just like that, we were booked. Next thing I knew, I was spinning across the world, rocking international crowds, flipping small rooms into wild parties, stacking experiences most DJs would never touch. When I got back to Vancouver, I wasn’t the same DJ. I had leveled up. While other DJs were stuck in the same patterns, I was running laps around them. My sets were different—I had learned how to dominate any crowd, any club. And as my gigs grew, so did my haters. The city turned hostile. It wasn’t just industry politics; I was getting real threats. Dudes I didn’t even know had a problem with me. It got so crazy that I had to get out. Vegas was calling. But it wasn’t just luck. I had a secret weapon—my mashups. I was creating remixes that nobody else had, and when they started blowing up online, something wild happened. People across the U.S. and Canada started hitting me up for bookings. Suddenly, I was flying from Miami to Alaska, rocking clubs in cities I had never even stepped foot in. Then came the moment that changed everything—I got asked to DJ for Canada’s Super Bowl. And just when I thought it couldn’t get crazier, the call came. Jay-Z. Beyoncé. On the Run Tour. They wanted me. 2014, I stepped onto that stage as their VIP DJ. 2015, I was on The Weeknd’s Madness Tour. 2016, I was living the dream with Rihanna’s ANTI Tour. Every stage, every crowd, every night—bigger than the last. But I wasn’t done. I wasn’t even close.

By 2017 saw things go truly global. I was opening for Ariana Grande in front of 25000 people  in countries i never heard of, let alone been to, I was opening for Mariah Carey, and soon after, I was on the Backstreet Boys DNA Tour in Europe.This is when things went MASSIVE. I was getting hundreds of people adding me on IG and I was smashing stadiums and learning languages while turning up crowds in cuontries I only dreamed of. And they kept getting bigger! And let’s not forget the wild year of rocking out with Fatman Scoop on the Bottle Poppa Tour—where we smashed shows across the U.S. Every concert, every city was more than just a gig. It was a chance to build, learn, connect, and inspire. Cuz through all this, I was still on a mission. It wasn’t just about playing the hits; it was about sharing my story and my sound with people from all walks of life.

But here’s where it gets real—I didn’t want to just make bangers for the clubs anymore. Sure, I loved tracks like “Bottle Poppa” and crowd anthems like “Get Louder” for my Vegas Golden Knights. Cuz in 2024, the craziest unthinkable happened. I lost my OG, my mentor, the greatest hype man to ever live, one of my best friends,  Fatman Scoop. Something shifted. I started to realize that my music had to be more than just a party soundtrack. It could be a reflection of my journey. So I started making music that wasn’t just about the clubs. It wasn’t just about the hype. It was about my life—about my growth, the obstacles I’ve faced, and how I’ve evolved. I put my soul into my songs. Tracks that didn’t just fill dance floors, but that made people feel something deeper. So when I opened for Ice Cube and Flo Rida, I didn’t just play their hits—I performed my own songs, songs that told my story of transition, struggle, and triumph. I crafted music that wasn’t just about surviving—it was about thriving. And the response? It was nothing short of epic. So here we are in 2025 —and it feels like it’s only the beginning. The arenas in Poland, the clubs in Vegas, the beaches in Barcelona, and the concert halls in Seattle—all of these places are part of the journey, part of the connection I’m building with people all over the world. But this isn’t about me. It’s about all of us. It’s about how we connected through music. It’s about bringing together people from every corner of the globe, sharing a powerful moment through the universal language of sound. From those early club sets to standing in front of thousands of people, I’ve come to understand that music is not just entertainment—it’s a bridge. A bridge of cosmic awesomeness that is the last bridge to humanities real journey together.  And I want to build that bridge for you. Whether you’re in a stadium, a club, or listening at home, this journey is about uniting us all. It’s just getting started. So here’s my promise: I’m not stopping. The beats are coming, the stories are coming, and the journey is about to take an even bigger turn. Join me—let’s connect the world through music. Let’s make some noise.

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